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Not only did the servo motor and platform have to be ‘interiorized’ (naizosuru), but the body [of the fembot] needed to be slender, both extremely difficult undertakings.
Researchers have noted the connection between the design of feminine robots and roboticists' assumptions about gendered appearance and labor.
The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.
This has continued with modern fiction, particularly in the genre of science fiction.
A gynoid is anything that resembles or pertains to the female human form.The husbands' technological method of obtaining this "perfect wife" is through the murder of their human wives and replacement with gynoid substitutes that are compliant and housework obsessed, resulting in a "picture-postcard" perfect suburban society.This has been seen as an allegory of male chauvinism of the period, by representing marriage as a master-slave relationship, and an attempt at raising feminist consciousness during the era of second wave feminism.While not truly artificially intelligent, the fembots still had extremely sophisticated programming that allowed them to pass for human in most situations.
The term fembot was also used in Buffy the Vampire Slayer (referring to a robot duplicate of the title character, a.k.a. The 1987 science-fiction cult film Cherry 2000 also portrayed a gynoid character which was described by the male protagonist as his "perfect partner".
Jack Halberstam writes that these gynoids inform the viewer that femaleness does not indicate naturalness, and their exaggerated femininity and sexuality is used in a similar way to the title character's exaggerated masculinity, lampooning stereotypes.